The author expresses a clear bias against the movie 'Unfrosted' by using derogatory language such as 'astonishingly unfunny', 'deeply weird', and 'clear-the-room dreadful'. He also compares it to a horror movie. The author also expresses disappointment that Jerry Seinfeld, known for his sharp comedic mind, was involved in making such a terrible movie.
Among Bob’s duties: overseeing the production of Kellogg’s TV commercials, with a criminally miscast Hugh Grant as a fastidious version of the legendary and deep-voiced Thurl Ravenscroft, who plays Tony the Tiger, and Kyle Mooney, Mikey Day and Drew Tarver as Snap, Crackle and Pop.
For no reason whatsoever, we occasionally cut to clips of Walter Cronkite (Kyle Dunnigan) delivering the news, with Unfrosted callously turning Cronkite into a bumbling, booze-soaked fool with the mind of a child.
Hugh Grant plays Thurl Ravenscroft, the real-life voice of Tony the Tiger. Netflix This is one of the many inexplicable elements in Unfrosted – Grant plays Ravenscroft, who plays Tony the Tiger, but Snap, Crackle and Pop are depicted not as actors, but as individuals named Snap, Crackle and Pop. They seem to have no normal human alter egos; they’re never out of character.
If there was a thing called the IMDB Witness Protection Program where you could get your name taken off the credits of a particular project, this would be that project.
I’m surprised that director/co-writer/producer/star Seinfeld, one of the sharpest and most observant comedic minds of his generation, didn’t halt production halfway through, call Time of Death and apologize to everyone for wasting their time.
Late in the game, we get an extended action sequence that is designed to satirize the Jan. 6 insurrection, and it’s so bad and poorly shot it’s as if everyone involved in the movie has just given up.
Melissa McCarthy, Jerry Seinfeld and Jim Gaffigan play Kellogg’s executives on a mission to develop a toaster pastry in ‘Unfrosted.’ Netflix We experienced an explosion of Corporate Origin Story movies in 2023, from the four-star titles ‘Air’ and ‘Blackberry’ to the creative and inventive Tetris and the appropriately silly and funny The Beanie Bubble, to the formulaic Flamin’ Hot. The latest entry in his brand-name genre is Jerry Seinfeld’s Netflix movie Unfrosted, an astonishingly unfunny, deeply weird, live-action cartoon that is so clear-the-room dreadful it almost plays like a horror movie.
Melissa McCarthy plays a NASA scientist recruited by Bob to join the Kellogg’s team that is trying to invent a fruit pastry before Post can get its similar product on shelves.
Still, as terrible as all of that is, nothing can prepare you for a subplot involving some sort of live and very creepy Sea Monkey Ravioli creature.
Time and again, weird and off-putting triumphs over inventive and endearing. The framing device for Unfrosted has Seinfeld’s Bob Cabana seated next to a runaway kid in a diner and telling him ‘the real story’ of the birth of the Pop-Tart, ‘in the early 60s, [when] the American morning was defined by milk and cereal.’ Cue the flashback to our main story, which is set in a Don’t Worry Darling-looking version of Battle Creek, Michigan.
To make matters more confusing, they interact with ‘real’ people such as Steve Schwinn (Jack McBrayer), Jack LaLanne (James Marsden) and Harold von Braunhunt (Thomas Lennon), the huckster known for gimmicks such as X-ray specs and Amazing Sea Monkeys. Why are those latter characters from other fields in a Pop-Tarts movie? Mainly so that Unfrosted can waste an inordinate amount of time on scenes that parody The Right Stuff (including a particularly tasteless joke about Gus Grissom). We also get inside gags referencing The Godfather and Apocalypse Now. Timely!
Turns out Bob is a top young (youngish?) Kellogg’s executive who reports directly to Edsel Kellogg III (Jim Gaffigan), a buffoonish blowhard who is locked in an ongoing duel with Marjorie Post (Amy Schumer), as each company strives to win the Breakfast Race, which eventually becomes so heated that President John F. Kennedy (Bill Burr) and Soviet Union leader Nikita Khrushchev (Dean Norris) get involved.
Whereas Air et al., were fictionalized to varying degrees but still had some connection to true events, Seinfeld and his co-writers opted for a story that contains maybe 5% of the established, bare-bones story about the birth of the Pop-Tart, and uses that as the foundation for a garish, deeply unclever series of scenes that play like didn’t-make-the-cut sketches from Pee-Wee’s Playhouse.