Mohammad Rasoulof's New Film: An Unveiling of Iranian Cinema

Cannes, France, Provence-Alpes-Côte d'Azur, France France
Iranian filmmaker Mohammad Rasoulof released a new film
Title of the film is not mentioned in the provided data
Mohammad Rasoulof's New Film: An Unveiling of Iranian Cinema

Iranian filmmaker Mohammad Rasoulof's new film,


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Confidence

30%

Doubts
  • No specific information about the film's title or content is provided in the article

Sources

96%

The overall score is a weighted number that takes into account conflict of interest, bias, deception and other practices that undermine the credibility of the source. It is calculated as:
(Site Conflicts Of Interest + Author Conflicts Of Interest) / 2.0 * 0.2 + ArticleBiasScore * 0.20 + UniquePointsScore * 0.05 + DeceptionScore * 0.20 + ReadabilityScore * 0.05 + FallacyScore * 0.20

A score that takes into consideration the content for flow, interruptions with ads, and overt search engine optimization techniques that makes the content hard to understand

Escaped Iranian director wraps up wide-open race for Cannes Palme d’Or

France 24 News Channel Friday, 24 May 2024 13:29
  • Unique Points
    • Escaped Iranian director Mohammad Rasoulof's film, 'The Seed of the Sacred Fig', was screened at the 77th Cannes Film Festival.
    • Rasoulof's Cannes premiere came just days after his hair-raising escape from Iran.
    • Payal Kapadia’s ‘All We Imagine as Light’, the first Indian film to feature in the festival’s main competition in over 30 years, earned glowing reviews from critics at Cannes.
    • Mohammad Rasoulof is an Iranian filmmaker who recently fled Iran for Europe after serving an eight-year prison sentence.
    • Rasoulof wrote, directed, and shot the film in secret due to his political dissidence.
  • Accuracy
    • The Seed of the Sacred Fig was screened at the 77th Cannes Film Festival.
    • Mohammad Rasoulof is an outspoken critic of Iran's rulers and has already served two prison terms over his previous, political movies.
    • Payal Kapadia’s All We Imagine as Light, the first Indian film to feature in the festival’s main competition in over 30 years, earned glowing reviews from critics at Cannes.
  • Deception (100%)
    None Found At Time Of Publication
  • Fallacies (100%)
    None Found At Time Of Publication
  • Bias (95%)
    The article does not demonstrate any clear political, religious, ideological or monetary bias. However, the author does use language that depicts Mohammad Rasoulof as an 'outspoken critic of Iran's rulers' and describes his film as 'geopolitically charged'. This could be seen as implying a negative view of Iran and its government. Additionally, the author mentions that Rasoulof has served prison terms for his previous political movies and had his passport revoked in 2017. These facts are reported objectively but could be perceived as biased by some readers. The article also includes quotes from other critics who have positive things to say about the films of Rasoulof and Payal Kapadia, which could be seen as reflecting a specific position.
    • An outspoken critic of Iran’s rulers, Rasoulof has already served two prison terms over his previous, political movies and had his passport revoked in 2017.
      • The race for the Palme d’Or wound up with a bang on Friday with the screening of escaped Iranian director Mohammad Rasoulof’s ‘The Seed of the Sacred Fig’, adding a geopolitically charged red-carpet appearance to a 77th Cannes Film Festival that has delivered several strong contenders for the top prize but no outright favourite.
      • Site Conflicts Of Interest (100%)
        None Found At Time Of Publication
      • Author Conflicts Of Interest (0%)
        None Found At Time Of Publication

      98%

      The overall score is a weighted number that takes into account conflict of interest, bias, deception and other practices that undermine the credibility of the source. It is calculated as:
      (Site Conflicts Of Interest + Author Conflicts Of Interest) / 2.0 * 0.2 + ArticleBiasScore * 0.20 + UniquePointsScore * 0.05 + DeceptionScore * 0.20 + ReadabilityScore * 0.05 + FallacyScore * 0.20

      A score that takes into consideration the content for flow, interruptions with ads, and overt search engine optimization techniques that makes the content hard to understand

      Iran: 'Women, Life, Freedom' fight 'goes on' at Cannes Film Festival

      France 24 News Channel Friday, 24 May 2024 18:15
      • Unique Points
        • Iranian filmmaker Mohammad Rasoulof will present his film ‘The Seeds of the Sacred Fig’ at Cannes Film Festival (2024)
        • Rasoulof and many other Iranian artists have faced prison or exile
        • A photography exhibition named ‘Women, Life, Freedom’ is showcased at Hôtel Le Majestic during the festival
        • The exhibition pays tribute to the courage of Iranian artists through giant portraits by photographer Moja
      • Accuracy
        • Mohammad Rasoulof is an Iranian filmmaker who recently fled Iran for Europe after serving an eight-year prison sentence.
        • , Mohammad Rasoulof faced eight years in prison and had a long history of run-ins with the Iranian government due to his films and statements criticizing government-sanctioned violence against protesters.
        • Rasoulof is an outspoken critic of Iran’s rulers and has already served two prison terms over his previous, political movies.
        • Rasoulof faced eight years in prison and had a long history of run-ins with the Iranian government due to his films and statements criticizing government-sanctioned violence against protesters.
      • Deception (100%)
        None Found At Time Of Publication
      • Fallacies (100%)
        None Found At Time Of Publication
      • Bias (100%)
        None Found At Time Of Publication
      • Site Conflicts Of Interest (100%)
        None Found At Time Of Publication
      • Author Conflicts Of Interest (0%)
        None Found At Time Of Publication

      98%

      The overall score is a weighted number that takes into account conflict of interest, bias, deception and other practices that undermine the credibility of the source. It is calculated as:
      (Site Conflicts Of Interest + Author Conflicts Of Interest) / 2.0 * 0.2 + ArticleBiasScore * 0.20 + UniquePointsScore * 0.05 + DeceptionScore * 0.20 + ReadabilityScore * 0.05 + FallacyScore * 0.20

      A score that takes into consideration the content for flow, interruptions with ads, and overt search engine optimization techniques that makes the content hard to understand

      'The Seed of the Sacred Fig' Review: Rasoulof Delivers a Masterpiece

      IndieWire Ryan Lattanzio Friday, 24 May 2024 15:48
      • Unique Points
        • Mohammad Rasoulof is an Iranian filmmaker who recently fled Iran for Europe after serving an eight-year prison sentence.
        • 'The Seed of the Sacred Fig' was inspired by the 2022 killing of Mahsa Amini by government hands and explores themes of power corruption and women's suppression under religious patriarchy.
        • Rasoulof wrote, directed, and shot the film in secret due to his political dissidence.
        • Iman's service gun goes missing, putting his Court appointment in jeopardy and causing him to interrogate his family to find the culprit.
        • The film descends into domestic thriller territory as Iman takes extreme measures to make someone confess to stealing the gun, ultimately leading to a shattering denouement where nothing good awaits anyone.
        • Rasoulof met a staff member with conscience over holding political prisoners but lacked courage to defy his job, signaling hope for movements like Women, Life, Freedom against repression.
        • The film premiered at the 2024 Cannes Film Festival and will be released stateside later this year by Neon.
      • Accuracy
        • Rasoulof's latest masterwork, ‘The Seed of the Sacred Fig’, deserves a wide audience despite not being submitted for the Best International Feature Oscar.
        • The film was inspired by the 2022 killing of Mahsa Amini by government hands and explores themes of power corruption and women’s suppression under religious patriarchy.
        • Iman is a father of three deeply entrenched in his faith and loyalty to the government who has just been appointed to the Revolutionary Court.
        • Najmeh is Iman’s wife who tends to keep her presence at home a secret from him on the eve of his promotion.
        • Rezvan and Sana are Iman’s daughters, less bound to tradition and domestic equilibrium, and share a bunk bed in their cramped Tehran apartment.
        • Sadaf is a classmate of Rezvan and Sana who seeks their help after being arrested during protests.
        • Iman’s service gun goes missing, putting his Court appointment in jeopardy and causing him to interrogate his family to find the culprit.
        • Rasoulof’s performances are brave and understated, with some cast and crew risking their lives for the film.
        • The movie shows women indoors not wearing veils, which is unrealistic in other Iranian films to appease censors. Rasoulof met a staff member with conscience over holding political prisoners but lacked courage to defy his job, signaling hope for movements like Women, Life, Freedom against repression.
      • Deception (100%)
        None Found At Time Of Publication
      • Fallacies (100%)
        None Found At Time Of Publication
      • Bias (100%)
        None Found At Time Of Publication
      • Site Conflicts Of Interest (100%)
        None Found At Time Of Publication
      • Author Conflicts Of Interest (100%)
        None Found At Time Of Publication

      95%

      The overall score is a weighted number that takes into account conflict of interest, bias, deception and other practices that undermine the credibility of the source. It is calculated as:
      (Site Conflicts Of Interest + Author Conflicts Of Interest) / 2.0 * 0.2 + ArticleBiasScore * 0.20 + UniquePointsScore * 0.05 + DeceptionScore * 0.20 + ReadabilityScore * 0.05 + FallacyScore * 0.20

      A score that takes into consideration the content for flow, interruptions with ads, and overt search engine optimization techniques that makes the content hard to understand

      The Seed of the Sacred Fig Review: Capturing Iranian People's Struggle

      The Wrap News Inc. Ben Croll Friday, 24 May 2024 18:21
      • Unique Points
        • The Seed of the Sacred Fig is a film by Mohammad Rasoulof
        • Mohammad Rasoulof had to flee Iran to bring his film to Cannes Film Festival
        • The article does not provide any facts about Payal Kapadia's 'All We Imagine as Light'
        • The article does not provide any facts about Sean Baker's 'Anora'
        • The article does not provide any facts about French director Leos Carax or his musical melodrama 'Emilia Pérez'
        • The article does not provide any facts about Coralie Fargeat's 'The Substance'
      • Accuracy
        • ]The Seed of the Sacred Fig[/ was screened at the 77th Cannes Film Festival, adding a geopolitically charged red-carpet appearance to the event.] vs [The film premiered at the 2024 Cannes Film Festival and will be released stateside later this year by Neon.]
      • Deception (100%)
        None Found At Time Of Publication
      • Fallacies (100%)
        None Found At Time Of Publication
      • Bias (100%)
        None Found At Time Of Publication
      • Site Conflicts Of Interest (100%)
        None Found At Time Of Publication
      • Author Conflicts Of Interest (100%)
        None Found At Time Of Publication

      98%

      The overall score is a weighted number that takes into account conflict of interest, bias, deception and other practices that undermine the credibility of the source. It is calculated as:
      (Site Conflicts Of Interest + Author Conflicts Of Interest) / 2.0 * 0.2 + ArticleBiasScore * 0.20 + UniquePointsScore * 0.05 + DeceptionScore * 0.20 + ReadabilityScore * 0.05 + FallacyScore * 0.20

      A score that takes into consideration the content for flow, interruptions with ads, and overt search engine optimization techniques that makes the content hard to understand

      Mohammad Rasoulof fled Iran to debut his film in Cannes. 'I have many more stories to tell,' he says

      The Associated Press Thursday, 23 May 2024 17:22
      • Unique Points
        • Mohammad Rasoulof faced eight years in prison and had a long history of run-ins with the Iranian government due to his films and statements criticizing government-sanctioned violence against protesters.
        • Rasoulof fled Iran, risking his life to bring his film ‘The Seed of the Sacred Fig’ to Cannes Film Festival.
        • The film is set during the 2022 protests in Iran and includes real cellphone footage from the demonstrations.
        • Rasoulof had to leave his unfinished film with his collaborators abroad when he fled Iran.
      • Accuracy
        • Iran is currently mourning the death of President Ebrahim Raisi who was killed in a helicopter crash.
      • Deception (100%)
        None Found At Time Of Publication
      • Fallacies (100%)
        None Found At Time Of Publication
      • Bias (100%)
        None Found At Time Of Publication
      • Site Conflicts Of Interest (100%)
        None Found At Time Of Publication
      • Author Conflicts Of Interest (0%)
        None Found At Time Of Publication