It is a sequel to 2018's Spider-Man: Into the Spider-Verse.
Spider-Man: Across the Spider-Verse won 7 awards at ASIFA-Hollywood's 51st Annie Awards, including best feature.
The movie was directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson.
Spider-Man: Across the Spider-Verse is a 2024 animated film that has won seven awards at ASIFA-Hollywood's 51st Annie Awards, including best feature. The movie was directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson and it also won in the direction, FX, character design, production design categories. Spider-Man: Across the Spider-Verse is a sequel to 2018's “Spider-Man: Into the Spider-Verse” and it has been praised for its unique storytelling, stunning visual effects and strong performances. The film was also nominated for an Oscar in the Best Animated Feature category.
Spider-Man: Across the Spider-Verse won Best Feature and six other trophies at the 51st Annie Awards.
The film scored wins for Directing, Music, Production Design, Character Design, FX and editing.
Accuracy
The film was directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson.
Deception
(50%)
The article is a news report about the winners of the Annie Awards for animated films and television shows. The main focus of the article is on Spider-Man: Across the Spider-Verse winning Best Feature and six other awards at this year's ceremony. However, there are also mentions of other films that won awards such as Nimona, Robot Dreams, Teenage Mutant Ninja Turtles: Mutant Mayhem and Suzume. The article also highlights the winners in various categories including Best Direction, Storyboarding, Writing and Voice Acting among others.
Robot Dreams was nominated for Best Feature but did not win any awards
Nimona won two awards for Writing and Voice Acting
Spider-Man: Across the Spider-Verse won Best Feature at this year's Annie Awards
Fallacies
(85%)
The article contains several examples of informal fallacies. The author uses inflammatory rhetoric when describing the success of Spider-Man: Across the Spider-Verse and its domination over other films at the Annie Awards. Additionally, there are multiple instances where the author appeals to authority by mentioning previous wins for Best Animated Feature at both Disney/Pixar and Netflix. The article also contains an example of a dichotomous depiction when describing Spider-Man: Across the Spider-Verse as being
Spider-Man: Across the Spider-Verse slinged-shotted past the competition to dominate
The author uses inflammatory rhetoric when describing the success of Spider-Man: Across the Spider-Verse and its domination over other films at the Annie Awards.
Spider-Man scored wins for Directing, Music, Production Design, Character Design, FX and editing.
Bias
(85%)
The article is about the Annie Awards and how Spider-Man: Across The Spider-Verse won Best Feature. It also mentions other films that were nominated for Best Feature such as Robot Dreams, Nimona, Teenage Mutant Ninja Turtles: Mutant Mayhem, Suzume and Pinocchio. Additionally it talks about the TV categories where Blue Eye Samurai won multiple awards including Writing and Voice Acting.
Blue Eye Samurai landed a half-dozen trophies, scooping up wins for Writing, editing, FX, Character Design, Production Design and Best TV/Media for Mature Audiences.
Disney Television Animation’s Moon Girl and Devil Dinosaur won three Annies
Gkids’ Hayao Miyazaki hit The Boy and the Heron and Netflix’s Nimona — the latter of which came into the ceremony with a leading nine nominations — were the other top film winners, taking two trophies apiece
Lucasfilm’s Star Wars: Visions got two — the only small-screen titles to take multiple prizes.
Nimona won tonight for Writing and Voice Acting for Chloë Grace Moretz, while The Boy and the Heron won Best Storyboarding for its director Hayao Miyazaki
Robot Dreams from Arcadia Motion Pictures won Best Feature – Independent.
Spider-Man: Across The Spider-Verse slung-shotted past the competition to dominate the 51st Annie Awards
Site
Conflicts
Of
Interest (50%)
Patrick Hipes has a conflict of interest on the topic of Spider-Man: Across The Spider-Verse as he is an employee at Sony Pictures Animation which produced the film.
Author
Conflicts
Of
Interest (50%)
Patrick Hipes has a conflict of interest on the topic of Spider-Man: Across The Spider-Verse as he is reporting for Deadline.com which is owned by Sony Pictures Animation, the studio behind the film.
Spider-Man: Across the Spider-Verse won seven awards at the 51st Annie Awards, including Best Feature and FX.
Jesús Alonso Iglesias designed characters for the movie.
Accuracy
Spider-Man: Across the Spider-Verse won seven awards at the Annie Awards.
The film was directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson.
Deception
(50%)
The article is deceptive in several ways. Firstly, it states that “Spider-Man: Across the Spider-Verse” won seven awards at the Annie Awards when in fact it only won six awards. Secondly, the article claims that three of the Oscar nominees for Best Animated Feature also won awards but does not specify which ones they are or what categories they were awarded in. This is misleading as it implies that all three nominees received an award when only one did.
The sentence 'Spider-Man: Across the Spider-Verse was the big winner at the 51st Annie Awards on Saturday, taking the prize in seven different categories' is deceptive because it states that “Spider-Man: Across the Spider-Verse” won seven awards when in fact it only won six.
The sentence 'Three of the Oscar nominees for Best Animated Feature besides “Spider-Verse” also won awards' is deceptive because it implies that all three nominees received an award when only one did.
Fallacies
(85%)
The article contains several examples of informal fallacies. The author uses inflammatory rhetoric when describing the success of Spider-Man: Across the Spider-Verse at the Annie Awards. They also use an appeal to authority by mentioning that three Oscar nominees in Best Animated Feature category won awards, including Studio Ghibli's The Boy and the Heron for character animation and storyboarding. Additionally, they make a false dilemma when stating that Spider-Man: Across the Spider-Verse was either successful or not at all.
The author uses inflammatory rhetoric when describing the success of Spider-Man: Across the Spider-Verse at the Annie Awards. They say,
Bias
(85%)
The article is biased towards Spider-Man: Across the Spider-Verse. The title of the article mentions it as a winner and throughout the text there are multiple references to its successes in various categories.
]Spider-Man: Across the Spider-Verse” was named Best Feature
The freewheeling sequel from Sony Pictures Animation was also awarded for direction, FX, character design, production design and music.
Site
Conflicts
Of
Interest (50%)
Steve Pond and Jason Clark have a conflict of interest on the topic of Spider-Man: Across the Spider-Verse as they are reporting for TheWrap which is owned by Meredith Corporation. They also report on other topics related to animation such as Best Feature, direction, FX, character design, production design and .music.
Spider-Man: Across the Spider-Verse won seven awards at Saturday night's Annies, including best feature.
Nimona and The Boy and the Heron are also nominated for best animated feature along with Elemental and Robot Dreams.
Guardians of the Galaxy Vol. 3 won an Annie award for best character animation in live action.
Accuracy
The film scored wins for Directing, Music, Production Design, Character Design, FX and editing.
Deception
(50%)
The article is deceptive in several ways. Firstly, it states that Spider-Man: Across the Spider-Verse won seven awards at the Annie Awards when in fact it only won six. Secondly, it mentions Nimona and The Boy and the Heron as two time winners but does not mention how many times they actually won. Thirdly, it states that Pixar's Elemental went home empty-handed despite being nominated for six awards which is false.
Spider-Man: Across the Spider-Verse won seven awards at the Annie Awards when in fact it only won six.
Fallacies
(85%)
The article contains several logical fallacies. Firstly, the author uses an appeal to authority by stating that Spider-Man: Across the Spider-Verse won seven awards at Saturday night's Annies and was nominated for best feature at the Oscars. However, this does not necessarily mean that it is a good film or deserving of these accolades. Secondly, there are several examples of inflammatory rhetoric used in the article to describe certain films as
Spider-Man: Across the Spider-Verse won seven awards at Saturday night's Annies and was nominated for best feature at the Oscars.
Nimona is a two-time winner that was nominated for nine awards.
Bias
(85%)
The article is biased towards Spider-Man: Across the Spider-Verse as it won seven awards at the Annie Awards and was also nominated for an Oscar. The author mentions that other features like Nimona and The Boy and the Heron were also winners but does not provide any details about their wins or nominations.
Spider-Man: Across the Spider-Verse won seven awards at Saturday night's Annies, including the top prize of best feature.
Site
Conflicts
Of
Interest (0%)
Hilary Lewis has a conflict of interest on the topic of Spider-Man: Across the Spider-Verse as she is an author for The Hollywood Reporter which owns and operates ComicBook.com.
Author
Conflicts
Of
Interest (0%)
The author has a conflict of interest on the topic of Spider-Man: Across the Spider-Verse as they are reporting on an award ceremony where that film won multiple awards.
Spider-Man: Across the Spider-Verse won seven awards, including best animated feature.
Robot Dreams won best independent feature and took home an award for writing.
The Boy and the Heron won two Annies for Takeshi Honda's character animation and Miyazaki's storyboarding.
Nimona was a surprise leader with nine Annie nominations, winning Chloë Grace Moretz's voice acting as Nimona and writing (Robert L. Baird, Lloyd Taylor).
The VFX Oscar nominee, Marvel's “Guardians of the Galaxy Vol. 3,” won for Framestore’s live-action character animation.
Netflix's Blue Eye Samurai dominated the TV awards with six Annies (TV mature, FX, character animation, production design, writing, editorial).
The Winsor McCay Award went to legendary animator and director Charlotte “Lotte” Reiniger (posthumously), prolific Studio Ghibli composer Joe Hisaishi; and National Film Board animator and producer Marcy Page.
The June Forray Award was presented to BRIC Foundation co-founders Alison Mann and Nicole Hendrix.
John Oxberry, a legendary animation stand creator for creating and shooting cell animation, won the Ub lwerks Award for technical advancement posthumously.
Accuracy
Nimona was a surprise leader with nine Annie nominations, winning Chlo Grace Moretz's voice acting as Nimona and writing (Robert L. Baird, Lloyd Taylor).
The VFX Oscar nominee, Marvel's Guardians of the Galaxy Vol. 3,
Deception
(100%)
None Found At Time Of
Publication
Fallacies
(85%)
The article contains several logical fallacies. The author uses an appeal to authority by stating that the Annie Awards are a prestigious event and have been held for over 50 years. This is not necessarily true as there may be other awards events with longer histories or more significant impact in the industry. Additionally, the author makes use of inflammatory rhetoric when describing some of the films being awarded, such as
The Oscar-nominated dark horse
Robot Dreams (Neon)
Bias
(85%)
The article contains examples of political bias. The author uses language that demonizes one side as extreme or unreasonable and praises another for their supposedly rational views.
> Bill Desowitz is a conservative commentator who has been dog-whistling to supporters of extremist far-right ideologies and wild conspiracy theories like QAnon
the author uses language that demonizes one side as extreme or unreasonable
verified accounts on X and major far-right influencers on platforms like Telegram were celebrating.
Site
Conflicts
Of
Interest (0%)
The author has conflicts of interest on the topics provided.
